经典回顾：Comme des Garons【1】川久保玲 2016春夏系列【2】川久保玲 2002年
来源： 发表时间：2018-05-26 05:24:09
What inspires Rei Kawakubo is one of fashion’s million-dollar questions. The elusive designer once toldVoguethat her collections are built around “whatever I am feeling at that moment”; for Spring 2002 that must have been childlike. There was an airy se上海星巴克员工工作服nse of innocence to this show, which at moments leaned toward kawaii. Kawakubo made use of an adorable novelty print featuring pugs. Pugs! There was also a fabric emblazoned with large graphic numbers, like tho申请冬季工作服se that might appear in a youngster’s schoolbook. Moreover, plastered to the models’ heads were papier-m€€ché caps made of newsprint that gave them the look of old-time porcelain Pierrot dolls.
Naiveis a word critics often and perhaps too readily apply to Kawakubo’s work, which is as forthright in its deconstruction as it is complicated in conception. This show, with its bows and ruffs, seemed more straightforward than many, save for its title, Ethnic Couture. What does it mean? Could Kawakubo have been referencing Dutch Old Masters or just having fun? Whatever the answer, she made it look as easy as one-two-three.
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